How should we take diversity into account when designing interactive systems?
The theme of DIS 2018 is diversity and
design. Diversity is
reflected in the choice of Hong Kong as the site of the DIS 2018 conference.
Hong Kong’s 7.5 million people come from different ethnic, social and cultural
backgrounds to form a multiplicity of communities, beliefs, and practices. Just
like any designs, interactive systems can be designed to take into account
diversity, but also the universal landscape as the recent success of many
Silicon Valley companies so clearly show. When faced with diversity, designers
face a classic philosophical question about particulars and universals: should
design build on diversity and be particular, or should it go after universal
applications, technologies and experiences? Every designer has to find a way
around this question in defining their view of experience, methods,
applications and technologies.
DIS is an interdisciplinary conference that
encompasses how such systems are built, introduced and employed in a wide
variety of socio-cultural contexts. DIS 2018 invites several types of submissions, including papers,
pictorials, demos, provocations and workshops. As before, the conference
focuses explicitly on the design aspects
of interactive systems, products, services, and spaces.
DIS 2018 is hosted by the School of Design
of the Hong Kong Polytechnic University.
ACM SIGCHI Designing Interactive Systems conference 2018
DIS 2018 invites submissions that address the following questions: Are our current models of user experience adequate in addressing diversity? What kinds of methods and processes are needed for designing for diversity? How can applications and technologies be designed to address diversity and even add to it in this era of giant global corporations? What are the ethical limits designers have to face when designing for diversity?
All submissions should be anonymous and submitted via the PCS submission system.
All submissions should be formatted using the SIGCHI Conference Publications Format. Please use the most recent SIGCHI Papers template in either Word or LaTeX format. Papers should be no longer than 10 pages, while Notes should be no longer than 4 pages. This includes all figures, tables, appendices, and an abstract of less than 150 words. References do not count towards the page limits. Submissions that are over the required length will be rejected.
All Papers and Notes must present original, unpublished research. Papers and Notes are not allowed to be under concurrent review with other conferences, journals, or venues.
When considering whether to write a Paper or Note, please think about the breadth of contribution that your work presents to the field. Both Papers and Notes should be substantial contributions. A Paper allows authors with particularly novel or high-impact work to outline new approaches, philosophies, or findings in greater depth. A Note allows work that is significant and novel but incremental to be added to the field.
References are not included in the total page limit.
Both Papers and Notes should be anonymized for blind peer review. Authors are expected to remove author and institutional identity from the title and header of the paper, as well as any information embedded within the meta-data of the submission file.
Suppression of identity in the body of the paper is left up to the discretion of authors. However, reviewers must be able to compare your current submission to other related work in the area. In many situations, this is the author’s own work found in other papers.
If you are citing your own work, we ask you refer to it in the third person as opposed to removing it completely because of blind review. For example, rather than stating, “This study builds on our prior work [removed for anonymity],” please refer to it in the third person, such as, “This study builds on prior work by <authors, where="" you="" list="" your="" names=""> [2].”</authors,>
Mark Blythe,
Northumbria
University
Tone Bratteteig,
University of
Oslo
Melanie D. Feinberg,
University
of North Carolina
Andrés Lucero,
Aalto University
Experience
Eva Hornecker,
Bauhaus-Universität Weimar
Netta Iivari,
University of Oulu
Marc Hassenzahl,
University of Siegen
Jeffrey Bardzell,
Indiana
University
Application Domains
Marianna Graves Petersen,
Aarhus University
Madeline Balaam,
KTH Stockholm
Giulio Jacucci,
University of Helsinki
Eric Baumer,
Lehigh University
Jonas Fritsch,
ITU Copenhagen
Uta Hinrichs,
University of St.
Andrews
Lars Erik Holmquist,
Northumbria
University
Eric Paulos,
University of California
Berkeley
Papers and Notes follow a rigorous blind peer review process. This process is managed by the Technical Program Chairs (TPC), the Subcommittee Chairs (SCs) for each theme, and Associate Chairs (ACs). Confidentiality of submissions is maintained throughout the review process.
Authors will be notified of conditional acceptance or rejection of their Paper or Note on 5 March 2018. Meta reviews will describe any further changes that the authors are expected to make to the paper prior to its publication. These should be made as part of a “camera ready submission” into PCS by the deadline of 28 March 2018. Final changes will be checked by members of the program committee prior to making a final acceptance of the paper. If authors are unable to meet the requirements for changes, the program chairs will be notified and may reject the paper.
All accepted submissions require a signed form assigning copyright or license to the ACM, or an upfront fee to ACM to enable Open Access. Responsibility for obtaining permissions to use video, audio, or pictures of identifiable people or proprietary content rests with the author, not the ACM or the DIS conference.
At least one author of each accepted paper must be registered for the conference. If the person presenting the Paper or Note is a first-author student, a student registration fee has to be paid.
All published papers will appear online in the ACM Digital Library and be distributed digitally to conference delegates as part of the conference proceedings.
At the conference, authors of accepted papers must be in attendance to present their papers and answer questions from the audience. Presenters of Papers have a 20-minute slot including questions, and presenters of Notes have a 10-minute slot including questions. Papers and Notes whose authors are not at the conference to present may be removed from the ACM Digital Library and the conference proceedings.
Authors will be notified of conditional acceptance or rejection of their Paper or Note on 5 March 2018. Meta reviews will describe any further changes that the authors are expected to make to the paper prior to its publication. These should be made as part of a “camera ready submission” into PCS by the deadline of 28 March 2018. Final changes will be checked by members of the program committee prior to making a final acceptance of the paper. If authors are unable to meet the requirements for changes, the program chairs will be notified and may reject the paper.
All accepted submissions require a signed form assigning copyright or license to the ACM, or an upfront fee to ACM to enable Open Access. Responsibility for obtaining permissions to use video, audio, or pictures of identifiable people or proprietary content rests with the author, not the ACM or the DIS conference.
At least one author of each accepted paper must be registered for the conference. If the person presenting the Paper or Note is a first-author student, a student registration fee has to be paid.
All published papers will appear online in the ACM Digital Library and be distributed digitally to conference delegates as part of the conference proceedings.
At the conference, authors of accepted papers must be in attendance to present their papers and answer questions from the audience. Presenters of Papers have a 20-minute slot including questions, and presenters of Notes have a 10-minute slot including questions. Papers and Notes whose authors are not at the conference to present may be removed from the ACM Digital Library and the conference proceedings.
Mail to Technical Program Chairs: program [AT] dis2018.org.
Comber, Rob
Toombs, Austin
Barkhuus, Louise
Brubaker, Jed
Morrissey, Kellie
Bruns Alonso, Miguel
MacDonald Vermeulen, Lindsay
Kirk, David
Colombo, Sara
Nam, Tek-Jin
Thieme, Anja
Kumar, Neha
Clear, Adrian
Asad, Mariam
Khovanskaya, Vera
Fox, Sarah
Zimmerman, John
Carroll, John
Read, Janet
Sas, Corina
Aliakseyeu, Dzmitry
Kjeldskov, Jesper
Coulton, Paul
TSAKNAKI, VASILIKI
Dalsgaard, Peter
Lawson, Shaun
Hook, Jonathan
Bowen, Simon
Moncur, Wendy
Kelliher, Aisling
Lindsay, Stephen
Kirman, Ben
Elsden, Chris
Gray, Colin
Rasmussen, Majken Kirkegaard
Katzeff, Cecilia
Ahmed, Syed Ishtiaque
Hansson, Karin
Aitamurto, Tanja
Rizzo, Francesca
Tomico, Oscar
Funk, Mathias
Tetteroo, Daniel
Hengeveld, Bart
Coventry, Lynne
Bratteteig, Tone
Ananthanarayan, Swamy
Reeves, Stuart
Buzzo, Daniel
Pantidi, Nadia
Rode, Jennifer
Hogan, Trevor
Slovak, Petr
Hurtienne, Jörn
Rosner, Daniela
Dillahunt, Tawanna
Dombrowski, Lynn
Su, Norman
Elmqvist, Niklas
Fuchsberger, Verena
Hansen, Lone
Hakkila, Jonna
Kinnula, Marianne
Pakanen, Minna
Kujala, Sari
Subasi, Ozge
Isomursu, Minna
Laschke, Matthias
Stevens, Gunnar
Coskun, Aykut
Ludwig, Thomas
Hsieh, Gary
Deterding, Sebastian
Ozkaramanli, Deger
Law, Effie
Höök, Kristina
Olsson, Thomas
Hanratty, Marcus
Frauenberger, Christopher
Vermeulen, Jo
Harrison, Chris
Oehlberg, Lora
Alexander, Jason
Kuznetsov, Stacey
Loi, Daria
Holz, Christian
Kharrufa, Ahmed
Park, Young-Woo
Nunes, Nuno
Fraser, Mike
Begole, Bo
Tang, Anthony
Klokmose, Clemens
Khot, Rohit Ashok
Taylor, Nick
Bartindale, Tom
Bianchi, Andrea
Yao, Lining
Kristensson, Per Ola